Roots: The Saga of an American Family by Alex HaleyWhen he was a boy in Henning, Tennessee, Alex Haleys grandmother used to tell him stories about their family—stories that went back to her grandparents, and their grandparents, down through the generations all the way to a man she called the African. She said he had lived across the ocean near what he called the Kamby Bolongo and had been out in the forest one day chopping wood to make a drum when he was set upon by four men, beaten, chained and dragged aboard a slave ship bound for Colonial America.
Still vividly remembering the stories after he grew up and became a writer, Haley began to search for documentation that might authenticate the narrative. It took ten years and a half a million miles of travel across three continents to find it, but finally, in an astonishing feat of genealogical detective work, he discovered not only the name of the African--Kunta Kinte—but the precise location of Juffure, the very village in The Gambia, West Africa, from which he was abducted in 1767 at the age of sixteen and taken on the Lord Ligonier to Maryland and sold to a Virginia planter.
Haley has talked in Juffure with his own African sixth cousins. On September 29, 1967, he stood on the dock in Annapolis where his great-great-great-great-grandfather was taken ashore on September 29, 1767. Now he has written the monumental two-century drama of Kunta Kinte and the six generations who came after him—slaves and freedmen, farmers and blacksmiths, lumber mill workers and Pullman porters, lawyers and architects—and one author.
But Haley has done more than recapture the history of his own family. As the first black American writer to trace his origins back to their roots, he has told the story of 25,000,000 Americans of African descent. He has rediscovered for an entire people a rich cultural heritage that slavery took away from them, along with their names and their identities. But Roots speaks, finally, not just to blacks, or to whites, but to all people and all races everywhere, for the story it tells is one of the most eloquent testimonials ever written to the indomitability of the human spirit.
The Gift 1988
W ith TV on both sides of the Atlantic under pressure to become more diverse, you might think that now would be a better time to make a drama about African-American history than four decades ago. Today, though, it is almost impossible for a single series to create such a fuss. Yet there are several potential justifications. The African scenes of the new version are filmed in South Africa, rather than the US state of Georgia that was originally used. These factors all potentially add authenticity.
Sign in. George becomes an accomplished trainer of gamecocks and earns the nickname of Chicken George; George marries Matilda, a preacher's daughter, and fathers many children; Tom Lea loses a wager with an Kunta is kidnapped in and sold to British slave traders. After arriving in Maryland, Redcoats attempt to persuade slaves to run away and join the English army; Kunta escapes but slave catchers apprehend him and amputate half of his foot to ensure that he never runs off again.
A Quick Guide to Researching African-American Roots
But this harrowing tale of human subjugation and suffering has lost none of its power to shock. It should be required viewing for anyone with just an abstract idea of what slavery actually means. The relentlessly distressing tale of Kunta Kinte, an 18th-century Mandinka tribesman abducted from his village in the Gambia and sold as a slave in the US, stars former EastEnders actor Malachi Kirby in a stunning breakout performance. He infuses the young Kinte with a dignified rage and tense physicality that he deploys with absolute precision. He controls it admirably and demands your eyes whenever he is on screen.