Widows and orphans in writing

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widows and orphans in writing

Widows & Orphans (Rachael Flynn, #1) by Susan Meissner

Widows and Orphans is the debut novel in the new Rachael Flynn mystery series by critically acclaimed author, Susan Meissner.? The perfect new series for readers who enjoy CBA authors Dee Henderson, Angela Hunt, and Brandilyn Collins.

When her ultra-ministry-minded brother, Joshua, confesses to murder, lawyer Rachael Flynn begs him to let her represent him, certain that he is innocent. But Joshua refuses her offer of counsel.

As Rachael works on the case, she begins to suspect that Josh knows who the real killer is, but she is unable to get him to cooperate with his defense.? Why wont he talk to her? What is Josh hiding?

The answer is revealed in a stunning conclusion that will have readers eager for the second book in this gripping new series.
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Published 20.12.2018

Widows & Orphans: The Endnotes

Widows and orphans

In typesetting , widows and orphans are lines at the beginning or end of a paragraph which are left dangling at the top or bottom of a page or column, separated from the rest of the paragraph. The typographer 's terms for the top and bottom of a page or column are head and foot. There is some disagreement about the definitions of widow and orphan; what one source calls a widow another calls an orphan. A common mnemonic is "An orphan has no past; a widow has no future" [4] or "An orphan is left behind, whereas a widow must go on alone". Another way to think is that orphaned lines appear at the "birth" start of paragraphs; widowed lines appear at the "death" end of paragraphs. Writing guides, such as the Chicago Manual of Style , generally suggest that a manuscript should have no widows and orphans even if the result of avoiding them is additional space at the bottom of a page or column.

Here, we'll look at what widows and orphans are, and share some quick and easy tips for banishing them from your typesetting.
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Better typography in one week

First off lets have a quick review. With the disclaimer that both terms can be interchangeable, a Widow is a single word or two very short words sitting by itself on the last line of a paragraph; and an Orphan is the last line of a paragraph that is situated at the start of a column or even worse, on a different page to the rest of the paragraph. Check out the picture below for a visual perspective. Now, why are these two issues considered bad typography? For two reasons. Firstly, Widows cause unsightly and unnecessary chunks of white space throughout the text; and secondly, Orphans disrupt the flow of reading. The techniques to fix these pesky little fellows can range from minor adjustments to tracking—or at the extreme end, adjusting glyph scaling.

3 thoughts on “Widows & Orphans (Rachael Flynn, #1) by Susan Meissner

  1. In typography, you want to avoid single words as the last line of a paragraph and single lines of text at the beginning or end of a column or page.

  2. In typesetting, widows and orphans are lines at the beginning or end of a paragraph which are left dangling at the top or bottom of a page or column, separated.

  3. Rags, widows and orphans – sounds more like a Dickens novel than type! In typography, “rag” refers to the irregular or uneven vertical margin of a block of type. A widow is a very short line – usually one word, or the end of a hyphenated word – at the end of a paragraph or column.

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