The Warded Man (Demon Cycle, #1) by Peter V. BrettAs darkness falls after sunset, the corelings rise—demons who possess supernatural powers and burn with a consuming hatred of humanity. For hundreds of years the demons have terrorized the night, slowly culling the human herd that shelters behind magical wards—symbols of power whose origins are lost in myth and whose protection is terrifyingly fragile. It was not always this way. Once, men and women battled the corelings on equal terms, but those days are gone. Night by night the demons grow stronger, while human numbers dwindle under their relentless assault. Now, with hope for the future fading, three young survivors of vicious demon attacks will dare the impossible, stepping beyond the crumbling safety of the wards to risk everything in a desperate quest to regain the secrets of the past. Together, they will stand against the night.
Angels And Demons Painting
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The Royal Museums acquired the painting in thinking it was the work of his son, Pieter Brueghel the Younger. The work details the first confrontation between Good and Evil, even before the Fall of Man, when the most powerful angel, Lucifer or "light-bearer" turns upon the divine authority. Following this, he is chased from heaven by Archangel Michael upon God's orders, bringing about the fall of the other rebel angels. When they fall, the rebel angels are transformed into demons and are condemned to the pits of darkness. The painting's surface is horizontally divided into two roughly even halves: the heavens take up the upper part of the work, whilst hell is represented below. The light hues of the heavens contrast with the rich, sombre tones of hell, where ochres and warm shades of brown blend together. The composition as a whole, due both to the subject and the painter's artistic choices, reinforces the idea of the fight between Good and Evil — a recurring theme in the works of Bruegel the Elder.
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