Summer (Four Seasons, #2) by Frankie RoseAvery Patterson’s literally not the girl she used to be.
A past that haunted her for years turned out to be based on a lie. Her father was not an evil man. He loved Avery enough to die for her, and now she’s determined to live for him. She owes him that much, and so much more. Ever since she was fourteen, Avery’s been running and hiding from every challenge she’s faced with, but this time she’s determined not to run. She’s going to fight for the broken boy who not only helped to unveil the truth about her family’s past, but also showed her there was hope for the future.
The only problem is that winter is over. Spring is almost through, and Avery’s New York Cop has turned in his badge and taken up his guitar. It’s been three months without contact. Three months without a single word.
Where on earth is Lucas Reid?
It’s amazing how quickly your life can change. One minute you’re patrolling the streets in one of the world’s craziest cities, arresting felons, and the next you’re singing something you came up with in the shower to fifteen thousand people. It’s easy to forget what life was like before. Easy to blur out the events of a childhood that feels like it happened to someone else.
But it didn’t happen to someone else. It happened to him. Luke knows that in order to move forward with Avery, he needs to come clean. But how best to do that, when his demons are so dirty?
It’s easy to write a song. It’s easy to make a crowd chant your name. But finding the right words to tell a horrible truth?
Nothing’s ever been harder.
Youth And Love - A British Art Song by Ralph Vaughan Williams
Easy Songs for the Beginning Baritone/Bass
Baritone or barytone is a type of male singing voice that lies between the bass and tenor voices. It is the most common male voice. Originally from the Greek barytonos, meaning deep or heavy sounding, music for this voice is typically written in the range from the second F below middle C to the F above middle C i. The first thorough and comprehensive treatment of low male voices, this book draws on techniques and practical advice from Miller's years of professional experience as a performer and pedagogue. With a unique focus on "securing" the technical stability of the male voice, the book offers practical advice to students, their teachers, and professional performers, through numerous practical exercises and repertoire suggestions appropriate to various stages of development. Miller synthesizes historic vocal pedagogy with the latest research on the singing voice, always emphasizing the special nature of the male voice and the proper physiological functioning for vocal proficiency.
When the baritone Thomas Meglioranza made his Weill Recital Hall debut in , he gave fine performances of Schumann and Debussy, but.
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Narrative: SongHelix: An online database tool for the discovery of classical song. There has never been a simple way to search through the vast number of art songs by poet, date of composition, thematic links, keywords, or utility. SongHelix brings this ever-evolving information available into one searchable location. It is an online tool that enables users to search through the vast repertoire of art songs in order to find just the right piece. A secondary, and broader purpose will be to help to revitalize the form of voice recital by allowing for creative programming through novel associations. If they are experienced teachers, they will rely on their knowledge of vocal repertoire and experience with a variety of singers. They might browse the contents of an anthology or recording, and they might ask colleagues or mentors for suggestions.
Meglioranza sang these pieces not only with a warm and clear tone, but also with a crystalline diction that afforded the listener a rare directness of contact with the chosen poems and lyrics. The baritone clearly knows his strong suit, and on Thursday night at the Thalia Theater at Symphony Space, he offered a full recital of English-language art songs by seven living composers. Meglioranza won in There was little common ground among the pieces, but the program was unified once again by the clarity of Mr. Meglioranza's presentation and the completeness with which he inhabited one work after another. John Rommereim's "Into the Still Hollow" was the only premiere on the program. It is a somber setting of W.