A Farewell to Arms by Ernest Hemingway (Book Analysis): Detailed Summary, Analysis and Reading Guide by Bright Summaries
A Farewell to Arms Themes, Motifs & Symbols Summary
A Farewell to Arms
Religion and Love Sacred and Profane The novel is primarily a love story that chronicles the relationship between Frederic Henry and Catherine Barkley through courtship, consummation, reaffirmation and finally separation by Catherine's death. Throughout the story, the war serves as a catalyst to their relationship not only creating the circumstances that bring them together emotionally but force their temporary separation as well. During the course of the story, Frederic's ideas about love are influenced not only by his growing feelings for Catherine, but also by his conversations with the priest and later with Count Greffi. The priest informs Frederic that the true nature of love, such as the priest has for God, is one in which you desire to serve the object of your affections and the Count qualifies that sentiment by advising Frederic that love for a woman is an act of devotion on par with religious feeling. These sentiments come to a head during the crises of Catherine's protracted labor when Frederic, who previously espoused no particular religious feeling, prays to God for her safety. Loyalty and War When we first meet Frederic he is an officer in the Italian army serving in the ambulance corps and the United States has not yet entered the war.
The main theme of the work and the mover of the plot was the First World War. On the background of the war occurs the love story between lieutenant of the field ambulance, Frederick Henry, and nurse, Catherine Barkley, and it is the second major theme of the novel. Ernest Hemingway, as the main character of his novel, served on the Italian front, was wounded, lay in the Milan hospital and had an affair with a nurse. None can write about the war like Hemingway. By short, allegedly lopped phrases, American writer describes the main events, activities, actions, feelings and thoughts of the characters. The war by Hemingway is simple and ruthless as his criticism of this mindless process. There is a feat, but perhaps even more folly in it.
All rights reserved. There are two kinds of papers we keep see constantly in A Farewell to Arms. This kind: I had his papers in my pocket and would write his family We are given specific place names, and specific events, and even days of the week, but we must go outside the text to get the years. Luckily, Ernest Hemingway is accurate, right down to the weather
Which guides should we add? Request one! Sign In Sign Up.
A Farewell to Arms, by Ernest Hemingway, is a typical love story. A Romeo and his Juliet placed against the odds. Their love affair must survive the obstacles of World War I. The background of war-torn Italy adds to the tragedy of the love story. The war affects the emotions and values of each character. This novel is a beautiful love story of two people who need each other in a period of upheaval.
Chapter I introduces the general setting of A Farewell to Arms : wartime during the early twentieth century note the references to "motor trucks" and "motor cars" , in an agricultural region of an as-yet-unnamed country. The narrator, also unidentified so far, tells of fighting in the mountains beyond the plain where the action of the chapter takes place, mentioning that "things went very badly" for his side. The first chapter is short, but it could hardly be more significant, as it is here that Hemingway sets the tone for the entire novel to follow. This is to be a story of war, but one that tells the harsh truth about war rather than glorifying the topic: War is not picturesque and glamorous but rather dull and dangerous in equal measure. Thus death and dying take center stage in the opening pages of A Farewell to Arms. Although these pages are set in a plain "rich with crops," rain will serve as a symbol of death in this novel.
A Farewell to Arms is not a complicated book. Rather, it is a simple story well told, the plot of which could be summarized as follows: boy meets girl, boy gets girl, boy loses girl. Ernest Hemingway conveyed this story chronologically, in a strictly linear fashion, with no flashback scenes whatsoever. In fact, the novel contains very little exposition at all. We never learn exactly where its narrator and protagonist, the American ambulance driver Frederic Henry, came from, or why he enlisted in the Italian army to begin with. For that matter, we read chapter after chapter before even learning his name.