Henry IV, Part 2 (Wars of the Roses, #3) by William ShakespeareThe stirring continuation of the themes begun in Henry IV, Part One again pits a rebellion within the State and that master of misrule, Falstaff, against the maturing of Prince Hal. Alternating scenes between bawdy tavern and regal court, between revelry and politics, Shakespeare probes at the sources, uses, and responsibilities of power as an old king dies and a young king must choose between a rulers solemn duty and a merry but dissipated friend, Falstaff. The play represents Shakespeare at the peak of his maturity in writing historical drama and comedy.
Henry IV, Part 2
This article is about a screening of Shakespeare's play. For other uses, see Henry IV, Part 1 disambiguation. Live from Stratford-upon-Avon is generously supported by the Sidney E. Frank Foundation. Everyone at the Royal Shakespeare Company, from actors to technicians, milliners to musicians, plays a part in creating the world audience members see on stage. RSC's work begins its life at their Stratford workshops and theatres and they share it with audiences across the world through touring, residencies and online activity. Shakespeare has been performed and celebrated in Stratford for centuries and the RSC has trained generations of the very best theatre makers since the Company was founded in
As his Father becomes very ill, Hal has to make choices about how he will rule England and who might need to be left behind. For young people of all ages, this play is a brilliant way to look at roles and kingship as well as looking at a range of other themes including:. There are lots of ways you could choose to approach this text but you may find the following particularly useful:. Studying Shakespeare? Discover loads of facts, videos and in-depth information about Shakespeare's plays. Really get to grips with the stories, settings and characters of Shakespeare's plays.
Love and war, youth and age, power and struggle are all part of the tumultuous reign of Henry IV. It is not the king but a knight that reigns sovereign in this performance. Antony Sher as Sir John Falstaff is majestic in his role as the bumbling yet brutal tavern lord. Forever thinking of himself, Falstaff uses the young Price Hal for money and means. Alex Hassell in the role of the young prince has both the vulnerability and vivaciousness we see in Henry V. It is from this point we see the young Prince Hal set aside his boyish past.
T he RSC is no longer alone with Shakespeare. The Globe is popular, the National updating, the Donmar intense.
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More Information for Teachers
Heritage Shakespeare for the home counties and the tourists is just about alive but not very well at the Royal Shakespeare Company. Falstaff needs to charm early on so that we can be repelled by his bad behaviour on the Shrewsbury battlefield and his nastiness chez Justice Shallow. My companion wasn't there to see either, having left at the first interval clutching his throat from the transferred pain of all that dalek-speak.
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The company staged both of Shakespeare's tetralogies of history plays so that audiences could see all eight plays over several days. However, staging all eight plays in sequence was such a mammoth task that it had never been attempted. The RSC solved the problem by maintaining the same actors in the same role, but giving different plays to different directors. The directors often interpreted the plays and characters in very different ways; some productions were in medieval dress, others in modern dress, for example. The Henry VI productions were revived from 7 July and from January , Richard III in the RSC's new Courtyard Theatre , as part of the Complete Works festival and also as the first part of an unprecedented 2-year ensemble project to show all the history plays with one set of actors.